傷痛與奇蹟的電影
在此期間,子桐創作了自編自導的敘事電影,例如《浪潮》和《擁抱》——這些作品充滿了神秘主義、酷兒慾望和複雜的愛情情感領域。這些電影標誌著他們藝術之旅的關鍵時刻,將詩意的視覺敘事和深刻的個人探索交織在一起。
然而,在創作《浪潮》的過程中,子桐經歷了性暴力的創傷事件──這起事件徹底改變了她們的創作歷程。作為回應,她們發起了《書寫時間差》以及一系列以激進主義、女性主義抵抗和創傷知情藝術創作為基礎的作品。它最初是對愛和渴望的親密探索,後來演變成一種關於生存、正義和集體療癒的持續藝術語言。
2012
Wave
Wave follows a woman haunted by longing and unresolved love, as she sets out on a journey to search for her absent mother. Meanwhile, a pair of abandoned jeans—infatuated with her scent and memory—transforms into a man and begins to follow her. Blending queerness, mysticism, and surreal desire, Wave explores the fragile boundaries between reality, imagination, and loss.
2010
Embrace
Embrace is a surreal love story set in a nation where physical contact is forbidden. In this world, a tailor becomes a secret conduit for intimacy, offering brief moments of human touch through dress fittings. When the state intervenes, one returns for a final embrace—leading to a radical act of love and defiance.