Hello World, my name is Lee Tzu-Tung.
"How can marginalized communities queer hegemonic, authoritarian regimes?"
I am an artist and curator,
I use participatory project, decentralized technologies to ask:
Some stories trace back to a midnight on March 18, 2014…
That night, the Sunflower Movement erupted in Taiwan, forcing me to rethink my own history and culture.
It was then that I realized how deeply our education had been shaped by the KMT's ideological control—how our visual vocabulary, artistic language, and historical narratives were constructed under a colonial framework.
In the years that followed, the movement awakened me to the urgency of challenging, researching, and decolonizing both art and the identity.
I immersed myself in Taiwan’s Indigenous communities, political parties, activists movements, and connected with queer struggles —
unlearning the inherited colonial narratives and learning ways to build agency.
Projects like Writing the Time Lag and #Ghostkeepers emerged from this journey, evolving with each revisit.
Through Positive Coin and Forkonomy(), I experimented with art as an alternative economy—testing the boundaries of political autonomy.
Then came 2023.
I spoke out and advocated in the #MeToo movement as a survivor,
Endured an abusive relationship.
And received a diagnosis—a persistent force in my health.
All these unexpected companion reshaped my life.
Because activism is a way of healing—Yet the process itself can also create trauma.
The Body’s Tale of Mercy and Vengeance and Offlline.Wiki, then is my way to navigate ways of care after the political passion.
If any of these resonate with you,
If you want to talk,
If you want to join—
You are welcome to CONTACT me.
And welcome to browse through my arts, curations, writings and talks.