ABOUT
Project Bibliography
2017 Master in Fine Art in Film, Video, New Media and Animation, School of Art Institute of Chicago (SAIC). Chicago USA.
2013 Icelandic and Culture International Course, University of Iceland. Reykjavik, Iceland.
2012 Cour de civilization de la Sorbonne, Sorbonne IV. Paris, France.
2012 Bachelor of Science in Agriculture Economics, National Taiwan University. Taipei, Taiwan.
2023 R&B Research Lab Cohort, C/Change, Goethe-Institut San Francisco.
2023 Visual Art Project Grant, National Culture and Arts Foundation.
2022 ACT Gallery Micro-Grant, Massachusetts Institute of Technology (MIT).
2021 Transmediale Fellowship, Massachusetts Institute of Technology (MIT).
2021 CAMIT Scholarship, Massachusetts Institute of Technology (MIT).
2019 <City Flip-Flop: Stained> Annual Exhibition, Taiwan Contemporary Culture Lab, exhibition nominated in Taishin Art Award.2019 <Relocating Divinity: Being an Atheistic Theist>Waley Art Gallery, Taipei, exhibition nominated in Taishin Art Award.
2019 Global Fellowship, DWeb Camp.
2019 Visual Art Project Grant, National Culture and Arts Foundation.
2017 Experimental Film Grant, National Culture and Arts Foundation.
2016 Special Selection, GagaOOLala Queer Film Festival.
2014 The New Artist Society Full Merit Scholarship, School of Art Institute of Chicago (SAIC).
2010 First Prize Winner, National Taiwan University’s Film Festival.
2009 First Prize Winner, National Taiwan University’s Film Festival.
2008 Sophomore Literature Prize, National Taiwan University (NTU).
2023 Master of Science, Art, Culture, and Technology, Massachusetts Institute of Technology (MIT).USA.
2017 Master in Fine Art in Film, Video, New Media and Animation, School of Art Institute of Chicago (SAIC). USA.2013 Icelandic and Culture International Course, University of Iceland. Iceland.
2012 Cour de civilization de la Sorbonne, Sorbonne IV. France.
2012 Bachelor of Science in Agriculture Economics, National Taiwan University. Taiwan.
2023 R&B Research Lab Cohort, C/Change, Goethe-Institut San Francisco.
2023 Visual Art Project Grant, National Culture and Arts Foundation.2022 Transmediale Workshop Fellowship, École de recherche graphique, Brussels.
2022 ACT Gallery Micro-Grant, Massachusetts Institute of Technology (MIT).
2021 Transmediale Fellowship, Massachusetts Institute of Technology (MIT).
2021 CAMIT Scholarship, Massachusetts Institute of Technology (MIT).
2019 <City Flip-Flop: Stained> Annual Exhibition, Taiwan Contemporary Culture Lab, exhibition nominated in Taishin Art Award.2019 <Relocating Divinity: Being an Atheistic Theist>Waley Art Gallery, Taipei, exhibition nominated in Taishin Art Award.
2019 Global Fellowship, DWeb Camp.
2019 Visual Art Project Grant, National Culture and Arts Foundation.
2017 Experimental Film Grant, National Culture and Arts Foundation.
2016 Special Selection, GagaOOLala Queer Film Festival.
2014 The New Artist Society Full Merit Scholarship, School of Art Institute of Chicago (SAIC).
2010 First Prize Winner, National Taiwan University’s Film Festival.
2009 First Prize Winner, National Taiwan University’s Film Festival.
2008 Sophomore Literature Prize, National Taiwan University (NTU).
2024.09 <A Diachronic Record> by Rachel Be-Yun Wang on Art Review
2023.03 <Sea Change> by Zhang Yuan on Outland Art
2023.01 <Lee Tzu-Tung on Post-Colonial Blockchain Futures> by Simmon Denny on Seed Phrase Podcast.
2023.01 <Art and Resistance in Taiwan> by Victoria Ferran on BBC Radio 4 [brief]2022. 10 <Striving for a Distorted Voice”: Landscapes Narrated by A Yao and Queer Reflections in “Writing the Time Lag> by Huang Jin Yin on Art Touch
2022.11 <OD SKUPNEGA DO WTF-JEV> on Radio Študent2021.05 <ANTART FieldWorks #12: Lee Tzu-Tung> on AntArt Podcast
2021.04 <Bionic Cryptocurrency, Better Understanding of HIV, and the Potential of Blockchain in Conversation with Lee Tzu-Tung> by Wu Jianru on Times Museum Podcast
2021. 07 <Seeing the Radiant Life Experiences of Others Through Participatory Video: An Interview with Lee Tzu Tung> by Che Pai on Taiwan Film & Audio Visual Institute
2020.11 <Politics in Contemporary Taiwanese Art> by Lo Yi-Chun and Jane Ingram Allen on Women Eco Artist Dialogue.
2020.01 <Lee Tzu-Tung: Taiwan's political artist> on BBC Cultural Frontline [long]2019.11 <Positive Coin> reported by Taiwan 9 main television news channels: CTITV, SETN, CTV, TVBS, TTV, FTV, USTV, CTS, and EBC
2019.10 <Positive Coin> reported by digital press EToday and Taiwan Comedian Xuan Xuan
2018.01 <Interview: Lee Tzu Tung> by Brian Hioe on Daybreak
2016.01 <Appendectomy Project Reaches Its Goal: Passing the New Voting Law> by Lin Gin Tong on Liberty Times Newspaper, 2016/1/182016.01 <Taiwanese Artists Overseas Supporting Appendectomy Project > by Su Fun Her on Liberty Times Newspaper, 2015/1/10
2015.12 <Lee Tzu Tung, a political artist in the New Media field> by Brian Hioe, New Bloom
2009.07 <Hearing the diminishing DDGP through her Film> by Lee Min-Tsone on Cue Magazine, 2009 July, Issue 1
2025 Solo Exhibition, <Even When Our Shouts Art Out of Sync>, Taipei Fine Art Museum, Taipei, Taiwan [upcoming]
2024 Solo Exhibition, <Even When Our Shouts Art Out of Sync>, Mi-Hak Gwan, Seoul, South Korea.
2024 Solo Exhibition, <A Diachronic Record>, Asymmetry Foundation, London, UK.
2024 Group Exhibition, <Unsettling The Algorithm>, Beta Festival, Dublin, Ireland.
2024 Group Exhibition, <Nothing Happened Here Today>, Skövde Museum, Skövde, Sweden.
2024 Group Exhibition <Commons>, National Museum of Fine Art, Taipei, Taiwan.
2024 Group Exhibition <Convergence>, National Applied Research Lab, Taipei, Taiwan.
2023 Group Exhibition, <Offline.Wiki>, Gary Area Festival, San Francisco, USA.
2023 Group Exhibition, <Desert of Realities>, Esc Medien Kunst Labor, Austria.
2023 Group Exhibition, <Co-Becoming(s)>, Museum of National Taipei University of Education, Taiwan.2023 Group Exhibition, <Hold On For Dear Life>, Sensefield, Taiwan.
2023 Group Exhibition, <Positive Coin>, MIT ACT Gallery, USA.2022 Group Exhibition, <Time After Time: The Polychronicity in Blockchain>, Hyundai Blue, Beijing, China.
2022 Group Exhibition, <Direct Message>, Artlaban and Mihakgwan, Seoul, South Korea.
2022 Group Exhibition, <Mediating Asia>, National Taiwan Museum of Fine Art, Taichung, Taiwan.
2022 Group Exhibition, <Rendering Research>, Transmediale Festival, Berlin, Germany.
2021 Group Exhibition, <Dear Block Chen>, Solid Art Gallery, Taipei, Taiwan.
2021 Group Exhibition, <Lab Kill Lab>, Taiwan Contemporary Culture Lab (C-Lab), Taipei, Taiwan.
2021 Group Exhibition, <Cross-Dimensioin Transmision>, Kaosiung Public Library, Kaohsiung, Taiwan.
2020 Online Exhibition, <ANTART> University of Lisbon, Portugal.
2019 Group Exhibition, <Sensefield> Taiwan Association of Visual Ethnography, Bopiliao, Taipei, Taiwan. (also as the curator )
2019 Group Exhibition, <City Flip-Flop: Stained> Annual Exhibition, Taiwan Contemporary Culture Lab (C-Lab), Taipei, Taiwan.2019 Group Exhibition, <Relocating Divinity: Being an Atheistic Theist>Waley Art Gallery, Taipei.
2019 Group Exhibition, <Interminable Prescriptions for the Plague> Museum of Contemporary Art, Taipei.2019 Group Exhibition, <Why did you Come to Taiwan?>. Museum of Contemporary Art, Taipei.
2018 Group Exhibition, <The Impossibility of Form>. Cuchifritos Gallery. New York, USA.
2018 Group Exhibition, <Mashes of the Afternoon>. 136 Lawrence Residency. New York, USA.
2018 Solo Exhibition, <Writing the Time Lag>. Ce’po Artist Center. Hualien, Taiwan.
2017 Group Exhibition, <Delicate Failure>. Flux Factory. New York, USA.
2016 Group Exhibition, <Waveforms> Tom Robinson Gallery. Chicago, USA.
2012 Group Exhibition, < Pop Art Factory >, Taiwan Visual Art Gallery. Taipei, Taiwan.
2009 Group Exhibition, < Doppelgänger >, Taiwan Visual Art Gallery. Taipei, Taiwan.
2024 Screening, <Writing the Time Lag>, Charles University, Prague, Czech.
2023 Screening, <Writing the Time Lag>, MIT Museum, USA.
2020 Online Screening, , <ANTART> University of Lisbon.
2018 Screening, <Writing the Time Lag>. Indigenous Art Festival. Hualien, Taiwan.
2017 Screening, <Taiwan as Practice, Method and Theory>. Stanford University. California, USA.2010 Screening, < Director’s Dream>, National Taiwan University Film Festival. Taipei, Taiwan.
2023 Delfina Foundation. London, United Kingdom.
2023 Anachoresis. Tainan, Taiwan.
2018 Residency Unlimited. New York, USA.2017 Ce’po Art Center. Hualien, Taiwan.
2016 ArtScape Gilbart Point Residency Artist. Toronto, Canada.
2024. 12 Online Publication, <Forking Sovereignty! Mutates Through Contagion>, Curatography.
2024. 08 Online Publication, <Sailing in the Pirate Sea of Art>, Taipei Fine Art Museum Exhibition Highlights.
2024. 02 Online Publication, <Collective Translation as Forking>, The Journal of Electronic Publishing.
2022. 08 Online Publication, <How to buy/own one milliliter of the South China Sea?>, ExhibitX, ACM.
2022. 10 Book, <Sailing in the Pirate Sea of Art>, From Commons to NFTs, Aksioma.
2022. 07 Online Publication, <Sailing in the Pirate Sea of Art>, From Commmons to NFTs, Makery.2019. 07 Conference Paper, <Revisit: Participatory Art as Commoning Practice >, International Convention of Asian Studies, Leiden University.
2019. 02 Online Publication, <Creating a Utopia on the Margin of Empires>, Film Taiwan.
2017. 11 Conference Paper, < Political and Epistemological Justice in the Practice of Decolonizing Taiwanese Contemporary Art>. America Anthropological Association2017. 05 Book, <Translation>. Joan Flasch Artist Book Collection
2016. 06 Conference Paper, <For A New Nation-State Sovereignty, Taiwan’s Indigenous Independency>. North American Taiwanese Studies Association, University of Toronto, Canada
2016. 04 Conference Paper, <Decolonizing Art School: Learning from Indigenous Activists Movement>. Going Off (Shore) A Learning Symposium, Chicago, USA2016. 08 Online Publication, < Occupation of Ketagalan Boulevard as an Act of Transcending Laws>. New Bloom magazine
2016. 01 Online Columns, <Land Fight in Hualien>. New Bloom magazine
2015. 11 Online Columns, <Taiwan’s indigenous Independency against Xi-Ma meeting>. News Lens Online Newspaper
2015. 10 Online Columns, <The Transformation of Chinese Landscape Painting>. New Bloom magazine
2025. 02 Artist Talk, <Forking Sovereignty! Mutates Through Contagion>, Curatography, Taipei, Taiwan.
2024. 10 Artist Talk, <Sailing in the Pirate Sea of Art>, National Yang Ming Chiao Tung University, Taiwan.
2024. 11 Artist Talk, <Sailing in the Pirate Sea of Art>, Skövde Museum, Sweden.
2024. 10 Artist Talk, <Forkonomy()>, Beta Festival, Ireland.
2024. 10 Artist Talk, <Writing the Time Lag>, Charles University, Prague, Czech.
2024. 09 Artist Talk, <Seething Tech, Cold-Blooded Vengeance>, Taipei Fine Art Museum, Taiwan.
2024. 09 Keynote Talk, <Post-Trauma Messages>, Art Creators Union, Taipei, Taiwan.
2024. 07 Panel Talk, <After Witnessing>, National Kaohsiung University, Taiwan.
2024. 08 Artist Talk, <Sailing in the Pirate Sea of Art>, The Cube Project Space, Taiwan.
2024. 07 Artist Talk, <A Diachronic Record>, Asymmetry Foundation, London, UK.
2024. 04 Artist Talk, <Even When Our Shouts Fall Out of Sync>, National Kaohsiung University, Taiwan.
2024. 04 Artist Talk, <Even When Our Shouts Fall Out of Sync>, Mi-Hak Gwan, Seoul, Korea.
2023. 10 Keynote Talk, <Taiwan as Pioneer>, University of Tübingen, German.
2023. 09 Curator Talk, , The Lime Bookstore, Netherland.
2023. 05 Panel Talk, <Making and Showing Art in Transitional Spaces>, University of Chicago, USA.
2023. 05 Panel Talk, <Authoritarian Manipulation of History and Human Rights: Xinjian, Taiwan, Ukraine, Russia>, University of Chicago, USA.
2023. 04 Artist Talk, <Sailing in the Pirate Sea of ARt>, Northeastern University, USA.
2023. 03 Keynote Talk, <The Politics of Remembrance>, Mozilla Festival, Amsterdam, Netherland.
2024. 12 Online Publication, <Forking Sovereignty! Mutates Through Contagion>, Curatography.
2024. 08 Online Publication, <Sailing in the Pirate Sea of Art>, Taipei Fine Art Museum Exhibition Highlights.
2024. 02 Online Publication, <Collective Translation as Forking>, The Journal of Electronic Publishing.
2022. 08 Online Publication, <How to buy/own one milliliter of the South China Sea?>, ExhibitX, ACM.
2022. 10 Book, <Sailing in the Pirate Sea of Art>, From Commons to NFTs, Aksioma.
2022. 07 Online Publication, <Sailing in the Pirate Sea of Art>, From Commmons to NFTs, Makery.2019. 07 Conference Paper, <Revisit: Participatory Art as Commoning Practice >, International Convention of Asian Studies, Leiden University.
2019. 02 Online Publication, <Creating a Utopia on the Margin of Empires>, Film Taiwan.
2017. 11 Conference Paper, < Political and Epistemological Justice in the Practice of Decolonizing Taiwanese Contemporary Art>. America Anthropological Association2017. 05 Book, <Translation>. Joan Flasch Artist Book Collection
2016. 06 Conference Paper, <For A New Nation-State Sovereignty, Taiwan’s Indigenous Independency>. North American Taiwanese Studies Association, University of Toronto, Canada
2016. 04 Conference Paper, <Decolonizing Art School: Learning from Indigenous Activists Movement>. Going Off (Shore) A Learning Symposium, Chicago, USA2016. 08 Online Publication, < Occupation of Ketagalan Boulevard as an Act of Transcending Laws>. New Bloom magazine
2016. 01 Online Columns, <Land Fight in Hualien>. New Bloom magazine
2015. 11 Online Columns, <Taiwan’s indigenous Independency against Xi-Ma meeting>. News Lens Online Newspaper
2015. 10 Online Columns, <The Transformation of Chinese Landscape Painting>. New Bloom magazine
2021. 12 Artist Talk, <Dear Block Chen>, Solid Art Gallery, Taipei, Taiwan.
2021.10 Artist Talk, <New Media Art Practice—Identity, Gender, and Corporeality>, Processing Day, C-lab, Taiwan
2021. 08 Artist Talk, <Taiwan Talks>, University of Applied Sciences in Munich, German.
2020. 03 Artist Talk, <Writing the Time Lag> , ANTART, Lisbon, Portugal.
2019. 12 Lecture, <Identity>. Talkan University. Taipei, Taiwan.
2019. 04 Speech, <Film Equality>. Fembook. Taipei, Taiwan.2019. 03 Speech, <ARThon>. Open Culture Network for Humanity and Arts. Taipei, Taiwan.
2019. 02 Lecture, <Intersectionality of Gender>. National Chengchi University. Taipei, Taiwan.
2018. 12 Speech, <Art as Decolonizing Method>. Tafalong Kapah. Hualien, Taiwan.
2018. 12 Speech, <Art as Decolonizing Method>. Cafe Philo. Taipei, Taiwan.
2018. 10 Lecture, <#GhostKeepers>. Parsons School of Design. New York, USA.2018. 10 Field Trip Lecture, <#GhostKeepers>. The Evergreen Middle School for Urban Exploration. New York, USA.
2018. 10 Field Trip Lecture, <#GhostKeepers>. Pratt Institute. New York, USA.
2018. 01 Artist Talk, < Constructing the Contemporary Epistemological Justice through Art Practice >. ETAT Art Forum. Taipei, Taiwan.2018. 01 Public Lecture, < Constructing the Contemporary Epistemological Justice through Art Practice >. Taipei Contemporary Art Center. Taipei, Taiwan.
2017. 11 Artist Talk, < Occupy the Politics of Art >. Returning to the Island of South: Performance Art Festival. Hualien, Taiwan.
2016. 11 Lecture, <Art and Politics in Taiwan>. School of Art Institute of Chicago. Chicago, USA.
2016. 06 Artist Talk, <Occupy the Politics of Art - Translation>. North American Taiwanese Studies Association at University of Toronto. Toronto, Canada.
2016. 03 Public Lecture, <Branding for Congressman>. Island Forward group class at University of Michigan. Michigan, USA.
2016. 02 Speech, <A year after SunFlower Revolution>. Café Philo at Chicago. Chicago, USA.
2016. 02 Grad Artist Talk, <Occupy the Politics of Art>. School of Art Institute of Chicago. Chicago, USA.
2016. 01 Speech, <Branding for Congressman>. Café Philo at New York. New York, USA.
2015. 11 Artist Talk, <Occupy the Art Circle>. ETAT Art Forum. Taipei, Taiwan
2015. 11 Speech, <Always a queer in Cannes Festival>. Women Make Waves Film Festival Taiwan. DanSui, Taiwan.
2014. 07 Public Lecture, <Participatory Video>. Tibet World. Dharamsala, India
CV
Politically, Tzu Tung organized monthly conferences Café Philo Chicago (2016-2018), participated in NGO Overseas Taiwanese for Democracy, and edited the bilingual political magazine NewBloom. They are also the leader and visual designer for a rally of 200 people Anti-Black Box Education(2016), 40 cities broad rally Equality of Same-Sex Marriage (2016), and the organizer of the Indigenous protest Passage of Time (2016), and have voiced in Taiwan #Metoo movement (2022).
Furthermore, Tzu-Tung has curated serval cross-disciplinary events, Tzu-Tung is part of a panel committee for art and political roundtable in the 2017 North American Taiwan Study Association, served as the Jury Committee Taiwan International Ethnographic Film Festival, and the curator of an art and anthropology exhibition, Sensefield. Tzu Tung is currently the founder of Tinyverse NPO, which facilitates transdisciplinary, collaborative art projects, and holds a series of Hackathon for Artists events in Taiwan.
Lee Tzu-Tung is a conceptual artist and curator from Taiwan. They ask “How marginalized communities queer up the current ownership and sovereignty regime?”, and deployed the open-source spirit, decentralized tools, and participatory methods through their projects.
Connecting anthropological field research, political concern, and economic activism, their works focus on how one can survive, manipulate, and regain autonomy through their identities, with special attention on the hegemony of Chinese Sino-centrism, colonial trauma, and Indigeneity in Taiwan's contemporary world. They surf between performances, web art, installations, fictional and experimental films, and play along the borders of art, academia, and politics. Tzu Tung experiments with how art as a method can test and decolonize the contemporary form of art, technology, and authority.