Hello World,

I am a political artist and curator

I use participatory project, decentralized technologies to ask:

How can marginalized communities queer hegemonic, authoritarian regimes?

A Night of Awakening

Some stories begin at midnight, March 18, 2014

[That Night]

Taiwan faced the threat of economic and political unification posed by China, which has lead to the outbreak of the Sunflower Revolution.

[Looking Back]

Amidst this wave of revolution, a deep and boiling quest of “Taiwanese identity” emerged, challenging the long-standing Sino-centristic identity propagandas.

[The Begining of the journey]

Debates over the colonial impact surfaced, the predominant Taiwanese-Han chauvinism discourse countered with Indigenous Independence movement, and the rhetoric patriarchal nationalism convened the rise of the queer practices.

[field researches]

Drawing from my family background and Taiwan’s political shifts, I worked with pro-independence parties, joined Indigenous and gender movements, trained with a U.S. lobby group, and infiltrated both UN assemblies and the PRC’s reunification alliance. These experiences exposed me to the deep divides and raw passions that shape identities—encounters that have since become vital nourishment for my artistic practice.

It creates my years of

Evolving Research Journey

2016 -

Writing the Time Lag

Participatory ethnography, with 2016, 2018, 2021, 2024 versions.

Writing the Time Lag is designed to reflect the current hybrid colonial legacies of Taiwan by recording these years political reflections and my dialectical identity journey,

then I experiment the digital platforms most used for political debates, and how political violence and trauma persist across generations and agendas.

Later, I explored the governance of the body through building economic systems,

while experimenting with alternative ownership models to queer notions of political sovereignty.

However, not only did Hong Kong National Security Act passes, warfare, censorship and controls continue to escalate on the internet,

As a sexual violence survivor and #MeToo whistleblower, shaped by an abusive relationship and chronic illness, I recognize that while activism can heal, its aftermath can also wound—leading me to use art to cultivate care beyond political passion.

2018 -

#Ghostkeepers

Participatory writing project, with social media post, onsite digital tombs and rituals performance.

2020 -

Forkonomy()

co-created with Winnie Soon

participatory contract workshop, with South China Sea water.

The Body's Tale of Mercy and Vengeance at TFAM by Lee Tzu Tung

2024 -

The Body's Tale of Mercy & Vengeance

Feminist fight club with classes dealing with bodily injustice.

2019 -

Positive Coin

participatory economic project, where digital currency prices reflect the stigma level of AIDS.

2022 -

Offline.Wiki

more closely to the projects

[1]

About

Intro, education background, exhibition history, awards, publication, etc.

[2]

Arts

Since 2010, my art has continuously evolved, using film and technologies to exploring politics, technology, and care.

[3]

Curations

Rooted in academic research, my curatorial projects explore the intersections of anthropology, technology, and activism.

[4]

Texts & Talks

Extending from my artistic practice, engaging with global audiences on themes of political sovereignty, digital resistance, and care.